This elongated vessel has a long neck and a conical body with a pointed base. The mouth is narrow, and the amphora is provided with two handles. Amphoras were made to contain liquids such as wine.
This coffin of a woman from the Ptolemaic period still contains her mummy. She is shown on the lid wearing the long tripartite wig. The coffin is decorated on the sides with two long serpents.
The large plate is decorated with black drawings of fish and leaves. The broad rim is indented on the inside and raised on the outside. The base is circular with a rim that flares out.
A wooden board with the remains of a colored portrait of a woman, that may be dated to the period between the middle of the second century and the beginning of the fourth century AD.
A bowl with magical inscriptions, the letters of which cannot be put together to form logical words. They are meant to have special magical symbolism and significance. Bowls of this sort were used to heal diseases, according to the prevailing traditions of the period.
The bronze door handle is in the shape of Medusa, the snake-haired woman whose gaze turned men to stone. She has frightening eyes and a prominent forehead from which two small wings emerge. Her hair is thick and snakes are coming out of her open mouth.
A bust of Xenophon, a writer and pupil of Socrates, has his name inscribed on it. The face looks fleshy and smooth and the hair is shaped with great detail.
A canopic jar formed of two parts; the body and the lid. The lid bears the head of a king wearing the Egyptian headdress known as Nemes. The Canopic jars are the four funerary jars, in which the internal organs of the deceased are preserved. The organs were removed during the mummification process and preserved.
These amulets are made of faience and show different divinities: Thoth, the god of science; Anubis, the god of the dead and of mummification; and Isis, the mother goddess, represented as a woman.